Go to The Booth. Each artist auditions a handful of takes; you listen and pick the one that IS them. From then on that voice is locked — every song they ever record sings in it, and nothing changes it unless you say so.
The team below researches, finds the story, writes the words, produces the sound, and checks the quality — then stops and puts the finished song in The Gate for you. The crew makes candidates. It never releases anything on its own.
In The Gate: play it, change the words, re-record, redo the cover — or approve it. Approving means writing one line about what YOU changed or decided. That line is what makes the song legally yours. Kill anything that isn't great; killing most is how the catalog stays strong.
Album filing, cover art, credits, the Radio, the public player, and the DistroKid paperwork — staged for your final upload. Then the Ears watch what listeners skip and feed it back to the writers, so next month's songs are better than this month's.
Twelve specialists run this label around the clock. Every one of them stops at your desk.
Describe any blend of vocal qualities — texture, placement, attitude, range. Agent 00 writes fresh audition prompts and sunoapi.org sings three new takes for that artist only. Their current voice stays until you pick a new clip.
Agent 00 writes the whole Voice Bible from your description, the Foundry signs them, and their audition starts immediately — new voices land in this booth.
Reference audio for cloning must be your own voice, or a person who gave written consent. A real person’s voice is never cloned or disguised — for a “sounds like” result, describe the qualities above and audition a new synthetic voice instead.
One press = one new song: the crew studies what works, finds the story, writes the words, records it in the artist's locked voice, and quality-checks it. Then it STOPS and puts the song in The Gate for you to hear. Nothing goes public until you say so.
Nothing playing yet. Press MAKE THE SONG and watch the crew work, live.